Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.
RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production.
Saturn
No computer editing has been done to this photo. Saturn is eclipsing the sun from the camera probe’s view. That little spot off to the upper leftside of her brightest rings… Well, that’s us. That’s Earth.
Jack.
Hey, have a good weekend.
(Source: aconversationoncool)
“What we play is life.” ~Louis Armstrong
(via oldfilmsflicker)
In town for the 1965 premiere of Sidney Lumet’s The Hill (which would win the festival’s best-screenplay award that year), Sean Connery cruises the Croisette in a convertible to the delight of onlookers. (x)
(Source: likeadoll, via oldfilmsflicker)
(Source: keith1437, via what-is-this-i-dont-even)
Its just a matter of time by LunaliteSBC on Flickr.
Australia
Life Is Too Short
Created by Zerobriant
Prints and shirts available at redbubble.
(Source: fuckyeahlucasfilm, via geek-art)
(Source: imagination-foundation, via colonel-hans-landa-of-the-ss)
